Productions

The Unnamed Island: the Hagseed and the Wizard

2022.05
Taiwan Traditional Theatre Center, Main Theatre

"The Unnamed Island: The Hagseed and the Wizard", the flagship production of the 2022 Taiwan Traditional Theatre Festival, is a collaborative production between Ming Hwa Yuan Tianzi Art & Cultural Group and Shakespeare’s Wild Sisters Group. The lead actors from Tianzi Group include Chen Chen Chao-Hsiang, Chen Li-Chiao, Sun Shih-Wen, Chen Chin-Hsin, and Wu Yi-Hsuan, with rising star Li Pei-ying and modern theatre performers from Les Petites Choses Production crossing over into the cast.


Inspired by Shakespeare's supernatural tale "The Tempest", "The Unnamed Island" tells the story of an abandoned man-made island where a magician, Dongfang Ying-han, exiled to the island, has established a kingdom where humans, monsters, and spirits coexist peacefully. However, the magician harbors a deep desire for revenge. With the help of the spirits Lannan and Guan Ruoyin, he conjures a storm to bring his old enemy Dongfang Chaoyang, who betrayed him years ago, to the island. The economic value of the island leads Chaoyang to attempt to seize it, disrupting the established order. Meanwhile, Qu Liusao, a new species that is half-human and half-monster, has the rightful claim to inherit the island and has become its new idol. Upon discovering his true origins, he incites the island’s monsters to launch a revolution, sparking a battle for the island's inheritance.


Building on the framework of "The Tempest", "The Unnamed Island" further weaves together various elements of Shakespearean plots, echoing the fierce energy and inclusivity of traditional Taiwanese opera (gezai opera), making the "Hu Piau Tze" (foreign influence) truly a stage spirit. Thematically, the play subverts human-centric ethical and moral judgments, attempting to establish an ecological system centered on the perspective of monsters. It explores the boundaries of emotions, desires, gender, and the body, asking, "What is nature?" and "How can we redefine nature?" The original themes of forgiveness and reconciliation in The Tempest are transformed into a reflection on how, in the face of environmental devastation caused by human development, humans can coexist with nature. What visions do we hold for the future of the island?




2022.05
Taiwan Traditional Theatre Center, Main Theatre
2025 National Kaohsiung Center for the Arts Opera House

Production | Ming Hua Yuan Tian Zi Art & Culture Group, Shakespeare’s Wild Sisters Group
Director | WANG Chia-ming
Original Play | William SHAKESPEARE
Script Adaptation | CHOU Man-nung, WANG Chia-ming
Taiwanese Script Adaptation | HUNG Jing-ting

Tian Zi Group Performer | CHEN Chao-hsiang, CHEN Li-chiao, SUN Shih-wen, CHEN Chin-
hsing, CHEN Ching-wei, WU Yi-hsuan

SWSG Performer | Fa, Daniel WANG, WANG Chao-yang, Jin WU, LAI Wen-chun, Kurt
HSIAO
Special Guest Performer | LI Pei-ying, Les Petites Choses Production
Les Petites Choses Production Performer | SHEN Le, HSU Li-en, CHANG Ya-yuan, KUO
Chueh-kai, CHEN Yu-chi, CHEN Yi-ju
Walk-on | Li An-chieh, Wu Shao-teng, CHEN Ting-yi, LAI Wan-ju, LAI Wan-lin, HSIEH I-fan

Musician | WU Yo-hsien, KOU Jean-yu, WANG I-ping, CHIANG Chein-hsing, CHEN Sheng-
hsuan, HUANG Po-yu, LO Chang-chin

Narrative Space | HUANG I-ju
Set Design | CHEN Liang-ju, GAO Yun-ju,
Costume Design | LIN Heng-cheng
Lighting Design | WANG Tien-hung
Video Design | Mel HSIEH, TSENG Zhi-yun
Music Design | Blaire KO, WU Yo-hsien
Traditional Instrument Arrangement and Orchestration | KOU Jean-yu
Choreography | YANG Nai-hsuan
Puppetry Design | SHIH Pei-yu
Martial Arts Coach | LIN Hsin-i, PENG Wei-chun
Hair Design | YANG Yu-jen
Soundstage Design | Iggy HUNG
Cast and Production Team

Stage Manager | LIN Dai-jung
Assistant to Stage Manager | HUANG Shih-ping
Technical Director | LEE Po-han
Stage Technician | LEE Hung-chan, LIN Xin-xuan, LIN Che-wei, HUNG Hao-yuan, HSU
Hung-cheng, LU Kuan-ling
Master Electrician | LIU Chih-chen
Lighting System Programmer | YEH Hsiu-pin
Lighting Technician | LIN Yu-i, CHIU Zhih-hsin, CHANG Wen-hsin, CHEN Yun-wen, HSIAO
Feng-ming
Video Technician | HSIAO Ju-chun
Public Address System | CHEN To-fu
Sound Technician | LIEN Hao-wei, CHEN Huang-tai, YANG Yu-chen, CHI Pao-chin
Puppetry Production | OU Chia-jui, HSU Nai-hsing
Puppetry Costume Design | LIN Pei-chun
Wardrobe | LIN Yu-ling, CHIU Yi-hui, YUAN Cai-xuan
Stylist | LIN Chia-hao, NI Ting-yun, HSU Chia-hsuan, CHEN Yung-wei, YANG Yu-jen, CHENG
I-chin
Makeup | CHEN Ying-chieh, TSENG Chun-feng, WEN Ting-yu, KUO Hung-chi
Production Consultant | Yukio NITTA
Executive Producer | LU Lin, Hank LIN, YANG Po-yen
Tian Zi Group Administration | TSAI Meng-shan, LIN Hsin-i
SWSG Administration | CHAO Hsia-hsien, Jonathan Chi Chang Wei
Key Visual Design | CHOU Yu-wei
Key Visual Photography | Manbo KEY
Photography | Etang CHEN, Kris KANG

Organizer | National Kaohsiung Center for the Arts (Weiwuying), Ming Hua Yuan Tian Zi Art
& Culture Group, Shakespeare’s Wild Sisters Group
Co-organizer|Bureau of Cultural Affairs, Kaohsiung City Government, Taiwan BangZi Opera
Company, Department of Taiwanese Opera, National Taiwan College of Performing Arts

This production was commissioned by the National Center for Traditional Arts in 2022.

Reviews

Taiwanese opera has always been bold in stepping out of its comfort zone and has embraced innovation without hesitation. Ming Hwa Yuan Tianzi Troupe has been a trendsetter in this regard. This time, in collaboration with Shakespeare’s Sister, the troupe has incorporated modern dancers and actors. Although the distinctive style of Shakespeare’s Sister is still evident, Ming Hwa Yuan Tianzi Troupe, with its strong cast and skilled performances, matches up equally, creating a highly successful cross-disciplinary hybrid work in recent years.

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